Josh Thompson, meanwhile, still hasn’t made a bad record in the guise of FFT. The album debut for Numbers roots the wildest moments of the preceding singles in an amazingly tangible IDM design. Sometimes, the synth programming is classically warpy, other times it comes in PAN’s tints without ever being cartoonishly deconstructed – a deconstruction that, as one can postulate retrospectively, has killed quite a few vibes in the past decade.
FFT – Clear (2022)
