Aigner’s Inventory: January & February 2023
Column
Happy New Aigner’s Inventory, everybody! In the new year, our columnist decides to clear the meta-waste to one side first and finds some new »gems« underneath. One’s that life has tempered differently, and even one with stucco on the ceiling. What is meant here is Ryuichi Sakamoto’s new album, of course, which is discussed here alongside new works by Haftbefehl, Carla Dal Forno and RS Produções in the usual in the usual compartmentalised mood-driven manner.
