I’ve been writing about beatless music for twenty years now, and the only criterion I’ve consistently applied is whether I find it pleasant or not so pleasant. In the case of From Where You Came: very pleasant. But that’s standard with Kara-Lis Coverdale. By the end, I almost feel embarrassed to have been cited by dear colleague Lars in taz (kisses!) as a shining example of human-based music journalism.
Kara-Lis Coverdale – From Where You Came