Meanwhile, Maxime Denuc’s formula for »Night Horn« is gimmicky but undeniable. Trance and rave melodies via pipe organ, Barker via Kali Malone, an idea as simple as it is dangerous. Denuc almost consistently manages to capture the cheesy Ibiza harmonies with a statesmanlike gravitas in such a way that »Nachthorn« doesn’t feel like a calculated TikTok stunt, even though conceptually, there’s so much meta rubbish lying around here that it should all fail as crashingly in reality as »Everything Everywhere All At Once«.
Maxime Denuc – Nachthorn
