-OUS remains the best address for really weird Swiss stuff, and since Svetlana Maraš even teaches really weird stuff in Switzerland, those two make a perfect match. The title »Live Performance 2019 – 2020« should give you an idea of how these recordings were made, but they offer a rich palette of sounds and styles: some Sähkö abrasiveness, Valerio Tricoli-like surrealism, Aaron Dilloway weirdness and even a bit of Caterina Barbieri pathos are some of Maraš’ registers. Our guess: she will probably play every night of the next CTM edition and no-one will take issue with that. Kristoffer Cornils
Svetlana Maras – Live Performance 2019-2020
