An album that almost literally staggers between worlds: Between Worlds: Interference draws fine psychedelic threads from transcendent ideas through lucid, at times faintly kraut-inflected sound surfaces into an elusive in-between. It emerged from the collaboration between Zurich-based musician Angelo Repetto and Argentinian visual artist Clara Grabowiecki – originally conceived as an immersive audiovisual stage work. All the more remarkable, then, how seamlessly this visually imagined project translates into a purely sonic dimension.
Across eight tracks, the album opens spaces that suggest rather than narrate, passing before the mind’s eye like a summer dream in black and white. Dislocated beats slide beneath hovering synth layers; repetitions do not feel static but resemble subtly shifted perceptual loops. Repetto works with reduction and condensation at once: sounds are allowed to breathe, silence is not filled but held in awareness. A pull emerges that fully unfolds only through attentive listening. Between Worlds: Interference does not present itself as a closed statement but as an open field. It invites a recalibration of time, perception and sound – less a cerebral concept album than a space of experience. A small universe whose greatest strength lies not in containment, but in suspension.
