Berlin-based label Altercat continues its music-archaeological mission — bringing South American jazz to wider audiences beyond its borders and, crucially, making it accessible. Label founder Sergi Roig has shown a particular fascination with Argentine jazz, which has traditionally struggled for visibility compared to its Brazilian counterpart. The latest rediscovery is Fernando Gelbard from San Miguel de Tucumán in northwestern Argentina, a pianist and composer who, with his solo album Didi — likely the only one of its kind — demonstrated back in 1974 that Brazilian traditions such as bossa nova could be performed entirely on electronic keyboards without losing their soul.
Gelbard played Fender Rhodes and Moog synthesiser, accompanied by fellow musicians on acoustic instruments such as saxophone, bass, drums and assorted percussion. Six players in total took part in Didi, and despite its subtly intricate rhythms, the arrangements sound airy, balanced and remarkably unhurried. A quiet revolution — graceful, poised, and walking on soft paws.
Didi
